The following is based on a lecture on Chinese comics which I had the pleasure of presenting to the Asian Art and Visual Culture working group at the Townsend Center for Humanities at UC Berkeley on February 3, 2017, at the invitation of Hannibal Taubes and Weihong Bao. I’ve edited the original text slightly to […]
This is the fifth chapter in my MA thesis, The Shanghai Manhua Society: A History of Early Chinese Cartoonists, 1918-1938, completed in December 2015 at the Department of Asian Studies at UBC. Since passing my defense, I’ve decided to put the whole thing up online so that my research will be available to the rest […]
This is the fourth chapter in my MA thesis, The Shanghai Manhua Society: A History of Early Chinese Cartoonists, 1918-1938, completed in December 2015 at the Department of Asian Studies at UBC. Since passing my defense, I’ve decided to put the whole thing up online so that my research will be available to the rest […]
Few figures in Chinese mythology seem better suited to being adapted to cartoons than the Monkey King, Sun Wukong 孙悟空: Source: James Khoo Fuk-lung’s (邱福龍) The Sage King，Issue 1, 2002. Certainly, Nezha 哪吒 has found some success through his own films and cartoons, such as the classic 1979 Cultural Revolution parable, Nezha Conquers the Dragon King […]
Between World War I and World War II China experienced it’s first boom in the production and appreciation of cartoons and manhua. Although several notable cartoon and proto-cartoon publications predate World War I (and more importantly in China, the collapse of the Qing in 1911),1 it is the 1920s and 1930s which saw comic strips […]